Hansen's Lafayette Text (q.v.) was very similar.
It has also been copied by Intertype, and by Ludlow as Old English. Sidney Gaunt designed Engravers Old Black, very similar to Engravers Old English, for BB&S in 1910, but BB&S later produced Engravers English, a copy of Engravers Old English. Engravers Old English Open was produced by ATF in 1902.
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Mac McGrew writes: It is a modernization of Caslon Text, and has been widely used. It was designed in 1901 by Morris Benton and another person identified by ATF only as Cowan, but has also been ascribed to Joseph W. Įngravers Old English is a plain, sturdy rendition of the blackletter style, commonly known as Old English. Ī collection of commercial typefaces inspired by map typography and cartography. View various digital implementations of Bodoni Ultra. View various digital implementations of Bell Centennial, or its predecessor, Bell Gothic. The digital versions of Arial are sold by Ascender, Microsoft and Monotype. The design itself was based on Monotype Grotesque (and not Helvetica as many believe).
Designed in 1982 by Robin Nicholas and Patricia Saunders for use in an early IBM laser printer, Arial has become a standard font in many font libraries. Īrial is one of the most widely used designs of the digital era. The Bitstream clone is Gothic 725 (1990). These include the many versions of it at Berthold (Akzidenz Grotesk, AG Book, AG Book Old Face, Akzidenz Grotesk Next, and so forth), typefaces like the Linotype clone, Basic Commercial, and some fonts that are further afield. TYPE DESIGN INFORMATION PAGE last updated onĪkzidenz Grotesk and is digital descendants.
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